Events
“DC Art Now” Exhibition
DC Commission on the Arts & Humanities, I St Gallery, 200 I Street, SE, Washington DC; metro: Waterfront
Hours: Monday -Friday, 9 am to 5:30 pm, from September 20-December 13, 2025
This is an exciting exhibition of art by DC area artists being considered for the Washington DC Art Bank public art collection to be displayed in DC government buildings. There are dozens of artists in the show, selected by a panel of 18 judges. We are thrilled to see the collaborative “Capitol Kantha” on display. It is made from a sari that was part of the 2019 WRAPture installation, then later worn by a Bangladeshi woman farmer on Barobaishdia Island, and then cut, layered in three, and embroidered, painted and printed by women of the island and Monica Jahan Bose. The original sari also has woodblock by people of DC. Saris are never discarded. When worn thin or torn, they are cut, layered in three, and embroidered into blankets, swaddles, shawls, and wall hangings called kanthas.
The 2024 Women’s Environmental Leadership Summit is a two-day virtual event hosted by Smithsonian’s Center for Environmental Justice at the Anacostia Community Museum. It will take place from October 18-19, 2024 via Zoom meetings. The summit aims to bring together individuals for mentorship, education, training, and leadership opportunities in the field of environmental justice.
Join Bangladeshi-American artist and climate activist Monica Jahan Bose for a hands-on workshop focused on the power of art and poetry to build climate resilience and hope. In this workshop, we will learn how to connect with the Earth and recenter ourselves towards unity with other creatures, soil, plants, and farmer women in Bangladesh, as part of the global climate justice art project Storytelling with Saris, ongoing for more than a decade. We will reflect on our own climate stories and actions, create short and long form poems, pledges, and writings, have a collective poetry slam, and transform our poems into visual poems incorporating imagery and color. The final works will be finished and shared on Day Two as a virtual exhibition and performance. The works will also be shared with the participants, the Smithsonian, and as part of the Storytelling with Saris project. No prior experience in poetry or art is needed. Please come ready to share your positive energy for the Earth and our sisters across the planet.
The workshop is in two parts — October 18 from 1:45 to 3:15 pm and October 19 from 1:45 to 2:45 pm.
Join the Storytelling with Saris team to help harvest the vegetables from the Nicholson Project neighborhood garden. We helped out in the garden in the spring and summer, and and are thrilled to go back to see what has been growing. We will do some earthing exercises with Monica Jahan Bose and work with the gardener in residence, Peter Lewis. Location: 2310 Nicholson St, SE, Washington DC. Buses B2, 32, 36. Free street parking available.
Peter Lewis is an avid gardener, artist, and chef. He has been working with Nicholson Project since 2022 and is the main point of contact for garden activities and distribution during peak growing season. Peter also manages seeds starts and runs the Community Composting Program at Koiner Farm in Silver Spring, MD.
Monica Jahan Bose is a Bangladeshi-American artist and climate activist whose work spans painting, printmaking, film, performance, and public art. Her socially engaged work highlights the intersection of climate, racial, gender, and economic injustice through co-created workshops, art actions, and temporary installations and performances. Bose uses the sari — a precolonial 18-foot-long unstitched garment that is always recycled and never discarded — to represent women’s lives and the cycle of life on our planet. She has exhibited her work extensively in the US and internationally (23 solo shows, numerous group exhibitions, and more than 25 performances) including solo exhibitions at the Bangladesh National Museum and MACRO Museum of Contemporary Art Rome. Her ongoing collaborative project STORYTELLING WITH SARIS with women farmers from her ancestral island village has travelled to 12 US states and eight countries and engaged thousands of people. Her work has appeared in the Miami Herald, the Washington Post, Art Asia Pacific, the Milwaukee Sentinel, the Honolulu Star Advertiser, the Japan Times, and all major newspapers in Bangladesh. She has a BA in the Practice of Art (Painting) from Wesleyan University, a post-graduate Diploma in Art from Santiniketan, India, and a JD from Columbia Law School.
The Nicholson Project is an artist residency program and neighborhood garden in Ward 7’s Fairlawn neighborhood. Its mission is to support, provide opportunities, engage, and amplify artists and creatives from our community and the local artist community—particularly artists of color and those from Ward 7 and 8—while engaging our neighbors through community-based programming. Its vision is to serve as a cultural hub and community anchor celebrating Ward 7’s authentic identity, while infusing new vibrancy into Southeast DC. We hope to inspire others to use similar non-traditional arts and community-centered projects as a pathway toward stronger, more vibrant communities.
Stortyelling with Saris is supported in part by the DC Commission on the Arts and Humanities.
The Business of Public Art
Friday, January 31, 2025
11 am – 12:30 pm ET
Virtual via Zoom
Join Public Art Coordinator Kerry Kennedy and three art professionals—Monica Jahan Bose, Jessie Himmelrich, and Antoine Williams—as they share their experiences navigating the unique challenges of creating art in the District. From communicating an artist’s vision to writing grant applications, engaging the community, and installing public art, the process demands a diverse and intricate skill set.
Discover what it takes to successfully navigate the Public Art Building Communities (PABC) grant application and bring stunning artworks to life in the Nation’s Capital.
For full details and to RSVP please visit dcarts.dc.gov or grab the direct link from our Linktree in our bio!
Storytelling with Saris workshops will take place in February 2025 in Bangladesh. The workshops will include sari printing, new kantha creations from worn saris from Storytelling with Saris, new song creation, and performance.
Please come to the unveiling of Monica Jahan Bose’s first ceramic sari, called “Rising,” which will be installed in the Kalorama Triangle alley behind her studio. The ceramic tile mural will be mounted on the garage wall of the home of Mary Miller and Dennis Farley. We will have an unveiling celebration on March 9 from 3-5 pm in the alley behind 2015 and 2017 Belmont Rd, NW. Monica’s studio will also be open and there will be a film screening of the performances that inspired the “Rising” ceramic work.
“Rising” speaks to our connection as humans with the outdoor environment, including the water, the trees, and other species. It is designed with ceramic tiles using the same techniques and design concepts as the Storytelling with Saris saris. As in the fabric saris, the border tiles feature woodblock patterns. The tiles were rolled out by hand out of reclaimed clay. Monica pressed her sari woodblocks into the wet clay to create impressions. These border tiles were then handpainted using wax resist technique. The middle tiles of the sari comprise a figurative painting that Monica painted by hand using glazes.
Monica worked with ceramic artist and fabricator Elle Brande of Moonlight Studios in Beltsville, Maryland to create the work over the course of several months. Monica and Elle were colleagues at Red Dirt Studio many years ago and Elle assisted Monica in some of her very first performances with saris. We are thrilled to share this brand new work with the community. It serves as a small-scale prototype for future projects.
It’s Earth Day on April 22 and Storytelling with Saris continues its tradition of organizing a workshop and gathering. Join us for a poetry, earthing, and art workshop at Kalorama Park in Adams Morgan. We will be doing movement and breathing exercises, writing some poetry, and making art on a sari. Workshop will be followed by a pizza picnic in the park. We will be at one of the picnic tables. Enter the park from Columbia Road to avoid stairs. Nearest building is 1851 Columbia Rd NW, Washington, DC 20009. Metro: Woodley Park-Zoo. Buses: 90, 96, 42, 43. Friends and family welcome!
If you have joined prior Storytelling with Saris workshops, please bring with you your folder of materials — journal, pencil etc. Looking forward to seeing you! Please email storytellingwithsaris@gmail.com with any questions or accommodation needs.
This project is supported by a grant from the DC Commission on the Arts & Humanities.
Image from 2023 Earth Day Rally. Pictured, Lia Totty. Above: Image from 2024 Earth Day Workshop.
Save the date for the opening of “Take Me to the River,” featuring new embroidered kantha works by Monica Jahan Bose, along with saris, works on paper, and video. Curated by Beth Ferraro.
Location: Gallery Y, 1325 W St NW, Washington, DC 20009
Opening reception: Friday, May 2, 2025 from 6-8 pm
Dates: May 2-July 11, 2025. Gallery hours: Monday to Friday 7 am – 9 pm, Saturdays & Sundays 7 am – 7 pm.
Join the Phillips@THEARC and Monica Jahan Bose for a special event at the Anacostia River Festival
Anacostia River Festival 2025
Sankofa on the River: Bridging Legacies
Organized by 11th Street Bridge Park
Location:
Anacostia Park, Good Hope Road SE & Anacostia Drive SE . If you’re planning to take the Metro, get off at Anacostia Station on the Green/Yellow line. If you’re planning on driving, you can park at Anacostia Station.
From River to River in collaboration with Monica Jahan Bose
18-foot-long blue Bangladeshi saris are laid out on long tables, and the community joins together to make collaborative art work with painting, writing, and wood-block printing, expressing their intentions to protect and enjoy the Anacostia River and honor its history.
Bio: Monica Jahan Bose is a Bangladeshi-American artist and climate activist whose work spans painting, printmaking, film, performance, and installation. Her socially engaged work highlights the intersection of climate, racial, gender, and economic injustice through co-created workshops, art actions, and temporary installations and performances. She has exhibited her work extensively in the US andinternationally (23 solo shows, five large-scale public art projects, and more than 25 performances) including solo exhibitions at the Bangladesh National Museum and MACRO Museum of Contemporary Art Rome.
Her ongoing decade-long collaborative art and advocacy project STORYTELLING WITH SARIS with women farmers from her ancestral island village has traveled to eight countries and 12 US states, engaging thousands of people. Her work has appeared in the Miami Herald, the Washington Post, Art Asia Pacific, the Milwaukee Sentinel, the Honolulu Star Advertiser, the Japan Times, Prothom Alo and all major newspapers in Bangladesh. The Smithsonian Anacostia Community Museum has acquired a collection of her paintings, saris, and archival materials. Monica was an artist delegate to the COP28 climate conference in Dubai, presenting sari installations, workshops, and film screenings. She has a BA in the Practice of Art (Painting) from Wesleyan University, a post-graduate diploma in art from Santiniketan, and a JD from Columbia Law School.
