Events

Oct
29
Sun
2023
Daughter of the Agunmukha book launch @ Politics and Prose
Oct 29 @ 3:00 PM – 4:00 PM
Daughter of the Agunmukha book launch @ Politics and Prose
Join us for the book launch of Noorjahan Bose’s “Daughter of the Agunmukha” at Politics and Prose, 5015 Connecticut Ave NW, Washington DC, on Sunday, October 29, 2023 at 3 pm. Noorjahan Bose will be joined by local activists Sunu Chandy and Krittika Ghosh along with the book’s editor Monica Jahan Bose. Books will be available for purchase and signing. We hope you will come and celebrate this major accomplishment with Noorjahan, who turned 85 earlier this year.
Also please support our wonderful local bookstore, which is hosting this official event.
https://www.politics-prose.com/noorjahan-bose
How does a girl from a tiny Bangladeshi island end up reading Tagore, Marx, and de Beauvoir and become a leading feminist campaigner?
This is the riveting personal story of Noorjahan Bose, born in 1938 in present-day Bangladesh to a farming family, near the mouth of the ferocious River Agunmukha—Fire Mouth River. Abused by male relatives and raised by a mother who was herself a child bride, Noorjahan struggled for her education and autonomy. Nurtured joyfully and creatively by her mother, and mentored by local activists, she found her way into the progressive movements that would one day take her around the world. From the pain of partition to her husband’s death when she was only 18 and pregnant, to the devastating cyclones threatening her family’s home and livelihood, Noorjahan’s life has not been easy. Yet her courage shines through the pages of her memoir, whether she is promoting Bangla language rights, enduring Bangladesh’s liberation war, or marrying outside her family’s faith. This moving, gripping book tells a powerful story of trauma, loss, resilience and empowerment.
Translated by Rebecca Whittington and edited by Monica Jahan Bose.
Bios:
NOORJAHAN BOSE – Noorjahan Bose (she/her) is a feminist writer, social worker, and activist, living between the US and Bangladesh. She is the founder of two US-based organizations to empower South Asian women, ASHA (now Ashiyanaa) and Samhati. She has a BA (Honors) in Bangla literature from Dhaka University and a Masters in Social Work from Catholic University in Washington DC. She worked for many years as a social worker with refugees and the elderly at Catholic Charities, with foster children for Prince Georges Country, MD, and with ICU patients at DC General Hospital. She also founded the first Bangla School in the DC area, running it out of her home for more than 10 years.
Her first book, the autobiography Agunmukhar Meye, was published in 2009 in Bangladesh, after coming out in serial form in the Janakantha newspaper. The book became a bestseller, and in 2009 was named one of the top 10 books in Bangladesh. In 2010, Noorjahan received the Anannya Prize for the book, given to one woman writer every year in Bangladesh. The book has been the subject of numerous reviews and panel discussions in Bangladesh and India. In 2011, Ananda Publishers brought out a new edition of the book in India. In 2016, the book won Bangladesh’s highest honor, the Bangla Academy Literary Award (autobiography). Noorjahan has also published several travelogues and other books. The translation “Daughter of the Agunmukha” was published in 2023 by Hurst Publishers in the U.K. with distribution in the US by Oxford University Press.
SUNU P. CHANDY- Sunu P. Chandy (she/her) is currently a Senior Advisor with Democracy Forward, supporting work across the teams to defend and build measures towards a more inclusive democracy and to disrupt the policies that oppose this goal. Sunu is also the author of an award-winning collection of poems, My Dear Comrades, published by Regal House in 2023, and has created a wide-ranging book tour alongside other authors, artists, and activists. Sunu is also a proud member of the board of directors for the Transgender Law Center, and was honored to be included as one the 2021 Queer Women of Washington.
Before joining Democracy Forward in September 2023, she served as the Legal Director of the National Women’s Law Center for six years. She led the Center’s litigation efforts by expanding both the Center’s direct litigation and amicus brief program, and there she coauthored several briefs to the U.S. Supreme Court. Sunu provided guidance for the Center’s policy positions towards greater workplace justice, and often led the Center’s LGBTQ+ rights policy work including through testifying before the U.S. Congress. Before NWLC, Sunu led civil rights work through a range of government positions including as the Deputy Director for the Civil Rights Division with the U.S. Department of Health and Human Services, as the General Counsel of the DC Office of Human Rights (OHR), and for 15 years as a federal litigator with the U.S. Employment Opportunity Commission (EEOC) in the New York District Office. Sunu began her legal career as a law firm associate representing unions and individual workers in New York City at Gladstein, Reif and Megginniss, LLP. Sunu is cited as a legal expert on workplace civil rights laws, gender justice and LGBTQ+ rights including by The New York Times, The Washington Post, LA Times, Ms. Magazine, the Advocate, CSPAN, NBC, ABC and NPR.
Sunu earned her B.A. in Peace and Global Studies/Women’s Studies from Earlham College in Richmond, Indiana, her law degree from Northeastern University School of Law in Boston and later, her MFA in Creative Writing (Poetry) from Queens College/The City University of New York in 2013. Sunu’s creative work can also be found in publications including Asian American Literary Review, Beltway Poetry Quarterly, Poets on Adoption, Split this Rock’s online social justice database, The Quarry, and in anthologies including The Penguin Book of Indian Poets, The Long Devotion: Poets Writing Motherhood and This Bridge We Call Home: Radical Visions for Transformation.
KRITTIKA GHOSH – Krittika Ghosh (she/her) is the Executive Director of the Asian/Pacific Islander Domestic Violence Resource Project (DVRP). She has extensive experience working on gender-based violencein the US and Canada for the past 21 years. Krittika’s experience includes developing innovative programming on prevention of gender-based violence (GBV) in immigrant and refugee communities through transformative education and outreach campaigns such as the development of graphic novels and photo novels highlighting sexual violence, development of trauma art therapy workshops and peer engagement in responding to GBV. She has deep experience in community engagement, policy development and program management. Krittika was a founding member of Ontario’s Provincial Violence against Women’s round-table and provided feedback to policies on the government’s GBV related policies. Krittika is also a co-founder of the Shakti Peer group, a peer-based group responding to gender-based violence in New York City.
Krittika has been recognized for her work by the City of New York, The Filipino Women’s Network, was one of Mother Board Magazine’s “Person of the Year” in 2017 for her work in ending gender-based violence and is the recipient of the 2021 Imagene Stewart Surviving Sprit Award. She graduated Magna Cum Laude with a bachelor’s degree in Sociology and Women’s Studies from Simmons University, Boston, and with a Master’s degree in Gender Studies from the London School of Economics & Political Science.
MONICA JAHAN BOSE- Monica Jahan Bose(she/her) is a Bangladeshi-American artist and climate activist whose work spans painting, printmaking, film, performance, public art, and writing. Her ongoing collaborative project STORYTELLING WITH SARIS with women farmers from her mother’s ancestral village has travelled to 11 US states and seven countries and engaged thousands of people. Her work has appeared in the Miami Herald, the Washington Post, Art Asia Pacific, the Milwaukee Sentinel, the Honolulu Star Advertiser, the Japan Times, and all major newspapers in Bangladesh. She is a board member of Samhati and currently manages the Katakhali eco-empowerment project. She was the editor of Daughter of the Agunmukha. She has a BA in the Practice of Art (Painting) from Wesleyan University, a post-graduate Diploma in Art from Santiniketan, India, and a JD from Columbia Law School.
Nov
4
Sat
2023
“Nourish” Exhibition Closing @ The Nicholson Project
Nov 4 @ 12:00 PM – 4:00 PM
"Nourish" Exhibition Closing @ The Nicholson Project

Please stop by for the final day of “Nourish: Storytelling with Saris”!  Monica Jahan Bose will be there during gallery hours from noon to 4 pm and will be happy to give you a tour of the exhibition.

Nourish: Storytelling with Saris

Location:  The Nicholson Project, 2310 Nicholson Project SE, Washington DC, Bus B2 and many others

Exhibition Dates: September 10-November 4, 2023

Gallery Hours: Wednesdays 2-6pm + Saturdays 12 noon – 4pm

Link to Washington Post Review.

Nourish: Storytelling with Saris is an installation of video, drawings, poems, saris, and kanthas inspired by plants and herbs. Touching the soil and growing food are grounding and nourishing. For the last two years, Bangladeshi-American artist Monica Jahan Bose and DC participants in her Storytelling with Saris project have been connecting with the soil and Earth and food justice issues by nurturing plants on windowsills and planting neighborhood vegetable gardens. This year they planted and harvested in the garden at The Nicholson Project. Bose led a series of planting workshops that included poetry and art inspired by soil and plants. Using performance, sari art, writing, and film, Storytelling with Saris, which commenced in 2012, links DC residents with Bangladeshi coastal women farmers in solidarity to address climate and food injustice.  There is a concurrent  exhibition by Stephanie J. Williams.

Monica Jahan Bose bio: Monica Jahan Bose is a Bangladeshi-American artist and climate activist whose work spans painting, printmaking, film, performance, and public art.  Her socially engaged work highlights the intersection of climate, racial, gender, and economic injustice through co-created workshops, art actions, and temporary  installations and performances. Bose uses the sari — a precolonial 18-foot-long unstitched garment that is always recycled and never discarded — to represent women’s lives and the cycle of life on our planet. She has exhibited her work extensively in the US and internationally (20 solo shows, numerous group exhibitions, and more than 25 performances) including solo exhibitions at the Bangladesh National Museum and MACRO Museum of Contemporary Art Rome. Her ongoing collaborative project STORYTELLING WITH SARIS with women farmers from her ancestral island village has travelled to 10 states and seven countries and engaged thousands of people.  Her work has appeared in the Miami Herald, the Washington Post, Art Asia Pacific, the Milwaukee Sentinel, the Honolulu Star Advertiser, the Japan Times, and all major newspapers in Bangladesh. She has a BA in the Practice of Art (Painting) from Wesleyan University, a post-graduate Diploma in Art from Santiniketan, India, and a JD from Columbia Law School.

This project was supported by the DC Commission on the Arts & Humanities.

Nov
6
Mon
2023
When Will the Waters Come @ Laboratory for Global Performance and Politics (old Fillmore School)
Nov 6 @ 4:30 PM – 6:30 PM
When Will the Waters Come @ Laboratory for Global Performance and Politics (old Fillmore School)

The Laboratory for Global Performance and Politics in collaboration with the Earth Commons presents, When Will the Water Come – an evening of readings, short plays, monologues, poetry, and music about water and our environment, featuring students from Professor Derek Goldman’s TPST/ CULP 2036 Global Performance and Politics course, as well as professional guest artists, curated and directed by Ashanee Kottage, Lab/Earth Commons Fellow.

Location:  1801 35th St NW, Washington, DC 20007 (the old Fillmore School, in Glover Park)

Date/Time:  Monday November 6, 2023, 4:30 to 6:30 pm.  Monica Jahan Bose’s short performance is in the very beginning.

The performance brings together an expansive range of cultural perspectives, theatrical forms, and narratives to explore the scientific, political, elemental, and intimately personal dimensions of water. This multi-disciplinary performance and roundtable event features material from the recently launched We Hear You–A Climate Archive, a global performance project exploring youth perspectives on the climate emergency and the 2023 Climate Change Theater Action a worldwide festival of short plays about the climate crisis presented biennially to coincide with the United Nations COP meetings. This event is also part of an ongoing suite of activities featuring student and professional performances curated by The Lab leading up to COP 28, including the forthcoming conference Sustaining the Oasis: Envisioning the Future of Water Security in the Gulf, to be held at the Georgetown campus in Qatar.

We are honored that the following guest artists and students will share their work with us and join us for a roundtable discussion (moderated by Prof. Derek Goldman and Ashanee Kottage) and reception with some light refreshments at the end of the performance.

Monica Jahan Bose

Jan Ellis Menafee

Nadia Nazar

Chantal Bilodeau – Founder of CCTA

LubDub Theater (Miranda Rose HallCaitlin Nasema Cassidy (We Hear You Project Director), Robert Duffley (We Hear You Project Dramaturg), Geoff Kanick)

We Hear You Stories:

Nadia’s story, THE HORIZON

Michael’s story, COME BACK ANOTHER DAY

Rebecca’s story, MANTA MAGIC

Swedian’s story, WHEN WILL THE WATER COME?

CCTA Plays:

Wild Parsnips by Tira Palmquist

la jiao pang xie, shao la (“chilli crab, less spicy”) by Dia Hakim K

Undertow by Keith Barker

A Hummingbird’s Ululation by Aleya Kassam

(up)rooted by Caity Shea-Violette

To request an accommodation, inquiries about accessibility, or if you have any questions/ issues getting to the space please email us at globallab@georgetown.edu.

Nov
30
Thu
2023
Sari Installation at Hope House Dubai @ Hope House (at Jossa)
Nov 30 – Dec 7 all-day
Sari Installation at Hope House Dubai @ Hope House (at Jossa)

Monica Jahan Bose will create a sari installation called “Sari Resilience” during the COP28 climate conference in Dubai.  It will be part of Hope House in the arts district and accessible to all (no blue or green badge needed).

Dates:  November 30-December 11, ,2023.

Address:  Jossa, Warehouse 45 Alserkal Avenue – 17th St – Dubai – United Arab Emirates

Interactive Climate Sari workshop:  November 30 from 7-10 pm at Open House (RSVP at link below)

Hope House is a “canvas for hope,” a place of rest, resilience, culture and inspiration set in a warehouse space in the vibrant Alserkal arts district in Dubai.  All visitors to COP28 are invited to come and join us.  More details about Hope House at this link.

Workshop details:  Join artist and climate activist Monica Jahan Bose for interactive storytelling and art-making on a six-meter-long Bangladeshi sari.  We will be composing short poems and making art together about climate hope in solidarity with coastal women farmers on Barobaishdia Island in Bangladesh.   This hands-on art workshop builds cross-border community and climate resilience as part of the decade-long Storytelling with Saris art and advocacy project.

Monica Jahan Bose is a Bangladeshi-American artist and climate activist whose work spans painting, printmaking, film, performance, and installation.  Her socially engaged work highlights the intersection of climate, racial, gender, and economic injustice through co-created workshops, art actions, installations and performances. Monica uses the sari — a precolonial 18-foot-long unstitched garment that is always recycled and never discarded — to represent women’s lives and the cycle of life on our planet. She has exhibited her work extensively in the US and internationally including solo exhibitions at the Bangladesh National Museum and MACRO Museum of Contemporary Art Rome. Her decade-long collaborative project STORYTELLING WITH SARIS with women farmers from her ancestral island village has traveled to eight countries and 11 US states, engaging thousands of people. She has a BA in the Practice of Art (Painting) from Wesleyan University, a Diploma in Art from Santiniketan, India, and a JD from Columbia Law School.

Sari Installation at COP28 Blue Zone @ Entertainment + Culture Pavilion, Expo City, Blue Zone B7, Building 90
Nov 30 @ 9:00 AM – Dec 11 @ 5:00 PM
Sari Installation at COP28 Blue Zone @ Entertainment + Culture Pavilion, Expo City, Blue Zone B7, Building 90

 

Location: Entertainment + Culture Pavilion, Expo City, Blue Zone B7, Building 90 (same building as Women & Gender and Youth Pavilion), Ground Floor.

If you are going to COP28 in Dubai and have a Blue Zone pass, please join us at The Entertainment + Culture Pavilion (Blue Zone) and check out my sari installation and all the amazing programming.  I will also be doing a performance for the opening ceremony of the E+C Pavilion at around 10:30 am on November 30th and a multimedia storytelling and interactive sari workshop on December 2 at 4:30 to 5:30 pm.

Monica Jahan Bose is a Bangladeshi-American artist and climate activist whose work spans painting, printmaking, film, performance, and installation.  Her socially engaged work highlights the intersection of climate, racial, gender, and economic injustice through co-created workshops, art actions, installations and performances. Monica uses the sari — a precolonial 18-foot-long unstitched garment that is always recycled and never discarded — to represent women’s lives and the cycle of life on our planet. She has exhibited her work extensively in the US and internationally including solo exhibitions at the Bangladesh National Museum and MACRO Museum of Contemporary Art Rome. Her decade-long collaborative project STORYTELLING WITH SARIS with women farmers from her ancestral island village has traveled to eight countries and 11 US states, engaging thousands of people. She has a BA in the Practice of Art (Painting) from Wesleyan University, a Diploma in Art from Santiniketan, India, and a JD from Columbia Law School.

Sari workshop at Hope House Dubai @ Hope House (at Jossa)
Nov 30 @ 7:00 PM – 10:00 PM
Sari workshop at Hope House Dubai @ Hope House (at Jossa)

Join Monica Jahan Bose  for an interactive sari workshop during the open house for Hope House in the Arts District.  The event and Monica’s sari installation will take place during the COP28 climate conference in Dubai.  It will be part of Hope House in the arts district and accessible to all (no blue or green badge needed).

Address:  Jossa, Warehouse 45 Alserkal Avenue – 17th St – Dubai – United Arab Emirates

Interactive Climate Sari workshop:  November 30 from 7-10 pm at Open House (RSVP at link here)

Hope House is a “canvas for hope,” a place of rest, resilience, culture and inspiration set in a warehouse space in the vibrant Alserkal arts district in Dubai.  All visitors to COP28 are invited to come and join us.  More details about Hope House at this link.

7:00 pm – 10:00 pm: OPEN (HOPE) HOUSE – A warm welcome to COP28 UAE from Time for Better and celebration of Earth featuring an interactive media opportunity to share your climate story with Imagine5. Women’s Environmental and Climate Action (WECAN) will provide an Earth Dedication to inspire optimistic outcomes at COP28 UAE. *Hope House guests are welcome to bring rocks, soil, and water from their homelands to combine into vessels which will symbolize our collective efforts to make a positive difference.

Monica Jahan Bose is a Bangladeshi-American artist and climate activist whose work spans painting, printmaking, film, performance, and installation.  Her socially engaged work highlights the intersection of climate, racial, gender, and economic injustice through co-created workshops, art actions, installations and performances. Monica uses the sari — a precolonial 18-foot-long unstitched garment that is always recycled and never discarded — to represent women’s lives and the cycle of life on our planet. She has exhibited her work extensively in the US and internationally including solo exhibitions at the Bangladesh National Museum and MACRO Museum of Contemporary Art Rome. Her decade-long collaborative project STORYTELLING WITH SARIS with women farmers from her ancestral island village has traveled to eight countries and 11 US states, engaging thousands of people. She has a BA in the Practice of Art (Painting) from Wesleyan University, a Diploma in Art from Santiniketan, India, and a JD from Columbia Law School.

Dec
1
Fri
2023
Rising Up to Climate Change at BD Pavilion @ Bangladesh Pavilion, Expo City, Blue Zone B2, Building 21
Dec 1 @ 4:00 PM – 5:00 PM
Rising Up to Climate Change at BD Pavilion @ Bangladesh Pavilion, Expo City, Blue Zone B2, Building 21

Monica Jahan Bose will be presenting at the Bangladesh Pavilion on December 1 at 3:30 to 5 pm.

The Pavilion is in Blue Zone B2, Building 21, ground floor.

Join internationally-acclaimed artist and climate activist Monica Jahan Bose for multimedia storytelling and art-making on a six-meter-long Bangladeshi sari

Storytelling with Saris connects people around the world through art with action steps to address climate change in solidarity with women farmers from artist Monica Jahan Bose’s ancestral village on Barobaishdia Island, Patuakhali District, Bangladesh. Monica is working to preserve the intangible heritage of these women’s folk dances and oral tradition Bangla songs, which may be lost due to climate change.  She will show images and video and share stories about climate impacts in coastal Bangladesh and the resilience of these communities even in the face of losing crops, land, and intangible heritage.  Everyone will join in drawing and writing on a sari. This hands-on art workshop builds cross-border community and climate resilience.

Monica Jahan Bose is a Bangladeshi-American artist and climate activist whose work spans painting, printmaking, film, performance, and installation.  Her socially engaged work highlights the intersection of climate, racial, gender, and economic injustice through co-created workshops, art actions, installations and performances. Monica uses the sari — a precolonial 18-foot-long unstitched garment that is always recycled and never discarded — to represent women’s lives and the cycle of life on our planet. She has exhibited her work extensively in the US and internationally including solo exhibitions at the Bangladesh National Museum and MACRO Museum of Contemporary Art Rome. Her decade-long collaborative project STORYTELLING WITH SARIS with women farmers from her ancestral island village has traveled to eight countries and 11 US states, engaging thousands of people. She has a BA in the Practice of Art (Painting) from Wesleyan University, a Diploma in Art from Santiniketan, India, and a JD from Columbia Law School.

Dec
2
Sat
2023
Rising Up to Climate Change- Storytelling Workshop @ Entertainment + Culture Pavilion, Expo City, Blue Zone B7, Building 90
Dec 2 @ 4:30 PM – 5:30 PM
Rising Up to Climate Change- Storytelling Workshop @ Entertainment + Culture Pavilion, Expo City, Blue Zone B7, Building 90

Location: Entertainment + Culture Pavilion, Expo City, Blue Zone B7, Building 90 (same building as Women & Gender and Youth Pavilion), Ground Floor.

If you are going to COP28 in Dubai and have a Blue Zone pass, please join us at The Entertainment + Culture Pavilion (Blue Zone) on December 2 from 4:30-5:30 PM!

Join internationally-acclaimed artist and climate activist Monica Jahan Bose for multimedia storytelling and art-making on a six-meter-long Bangladeshi sari

Storytelling with Saris connects people around the world through art with action steps to address climate change in solidarity with women farmers from artist Monica Jahan Bose’s ancestral village on Barobaishdia Island, Patuakhali District, Bangladesh. Monica is working to preserve the intangible heritage of these women’s folk dances and oral tradition Bangla songs, which may be lost due to climate change.  She will show images and video and share stories about climate impacts in coastal Bangladesh and the resilience of these communities even in the face of losing crops, land, and intangible heritage.  Everyone will join in drawing and writing on a sari. This hands-on art workshop builds cross-border community and climate resilience.

Monica Jahan Bose is a Bangladeshi-American artist and climate activist whose work spans painting, printmaking, film, performance, and installation.  Her socially engaged work highlights the intersection of climate, racial, gender, and economic injustice through co-created workshops, art actions, installations and performances. Monica uses the sari — a precolonial 18-foot-long unstitched garment that is always recycled and never discarded — to represent women’s lives and the cycle of life on our planet. She has exhibited her work extensively in the US and internationally including solo exhibitions at the Bangladesh National Museum and MACRO Museum of Contemporary Art Rome. Her decade-long collaborative project STORYTELLING WITH SARIS with women farmers from her ancestral island village has traveled to eight countries and 11 US states, engaging thousands of people. She has a BA in the Practice of Art (Painting) from Wesleyan University, a Diploma in Art from Santiniketan, India, and a JD from Columbia Law School.

Dec
13
Wed
2023
Launch Workshop for SWIMMING @ Zoom
Dec 13 @ 4:30 PM – 6:00 PM
Launch Workshop for SWIMMING @ Zoom

Please join us for the online launch of SWIMMING, a new public art project that explores the deep and essential connections we have to water as our world faces increased flooding and rising sea levels due to climate change. When installed in June 2024 at the Marie Reed Community & Aquatic Center in Washington DC, SWIMMING will feature a “pool” of art-embellished saris, along with a sound walk, performances, film screenings, and poetry readings.  During the launch, artist and climate activist Monica Jahan Bose will introduce the project and then lead a poetry and art workshop where we will create poetry and art inspired by the. healing properties of water and swimming and inequities in access. SWIMMING is part of Bose’s. art and advocacy project Storytelling with Saris.  Started over a decade ago, the project has fostered collaboration with women from Bose’s ancestral island in Bangladesh as well as residents of DC and people around the world.

To learn more and become part of this exciting venture, please register using the Eventbrite link. 

Here is the Zoom link for the workshop on December 13 at 4:30 PM (Eastern time):  https://us02web.zoom.us/j/85156753263?pwd=RlRlY0Y1a25HVDR3eTIzUC9TN2xnUT09

If you have joined prior Storytelling with Saris workshops, please have with you your folder of materials — journal, pencil etc. In the spring we will be having in person workshops to finish the saris. Looking forward to seeing you!  Here is a link to our workshop. 

ASL interpretation will be provided. Please email storytellingwithsaris@gmail.com with any questions or accommodation needs.

Curator:  Sarah Tanguy.  Film/livestream: Paris Preston   Music & Sound Design: Sonia Herrero.

Community partners:  Marie Reed Elementary School and Community & Aquatic Center, Adams Morgan Partnership BID, DC Arts Center, Calvary Women’s Services.

This project is funded by the DC Commission on the Arts and Humanities.

 

Jan
19
Fri
2024
Chicago Paglees Show @ South Asia Institute
Jan 19 @ 11:00 AM – Apr 27 @ 6:00 PM
Chicago Paglees Show @ South Asia Institute

South Asia Institute is pleased to announce its new exhibition, “The Paglees: Between Reason and Madness,” in collaboration with the Paglees.

The Paglees is a feminist collective of artists of South Asian origin living across the United States. Paglee or pagli means crazy woman in a number of South Asian languages. The Paglees are: Fawzia Khan, Indrani Nayar-Gall, Monica Jahan Bose, Nirmal Raja, Pallavi Sharma, Renluka Maharaj, and Shelly Bahl.

In their debut exhibition, The Paglees investigate – with fierceness, beauty, and wit – the impact on women of generations of patriarchy, religion, white supremacy, colonialism, violence, capitalism, and environmental plunder.

The title of the exhibition derives from Rosa Parks’ words: “There is just so much hurt, disappointment and oppression one can take. The bubble of life grows larger. The line between reason and madness grows thinner.” (Rosa Parks: Writings, Notes and Statements,1956-58).

Featuring mixed-media works on paper, fabric, and canvas, sculpture, performance, photography, installation, and moving image, The Paglees: Between Reason and Madness, questions and reframes the labeling of non-conforming women as crazy and the marginalization of immigrant women of color. This collective exhibition presents new decolonial narratives that center the reason and wisdom of brown women of the Global South and diaspora, and provide pathways to a creative feminist future. The Paglees believe in working in collaboration with other marginalized communities to build bridges and demand social, environmental, and legal justice for all.